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Eliot Allsop
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Intriguing modesty
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| "It looks like a photograph";
is the first reaction of many people when they see the work of Eliot
Allsop (London, 1968). But on closer inspection it appears to be a
sublime graphite drawing. Allsop starts with an empty piece of paper, that
is being filled by subsequent layers of black
and grey tints. In this way a certain representation slowly arises.
The final result is fantastic, drawings so subtle, so serene, people almost
fall silent. Allsop creates a sober and modest, but intriguing world.
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| Light and layers |
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| The work of Allsop consists of several layers
of fixed graphite, carefully built up, trough which the final
deep and jet-black colours arise. These dark pieces, mainly background, are the
most difficult to draw, require great skill. The technique of spreading the
graphite equally over large surfaces resulting in an even dark background
is extremely hard to master. It's this tone that gives the drawing power
and the objects their depth. The objects seem almost to disappear in the
jet-black colour, but in combination with the soft, subtle grey tints
Allsop knows how to let the light play with the objects. It appears as if
the light flows over, and slowly reveals the contours of the object
being drawn.
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| Promising talent |
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| Allsop knows a variety of
subjects. He knows how to put an interior full of character to paper, with often
a person on the centre stage. Besides that his still lives are
a gratification for the eye. Eggs, bowls and dishes are drawn in such a way that they
seem to flow from the paper.
Allsop is English, but for several years now he lives and works in Holland. He's a young but promising
artist and Gallery Honingen will certainly display more impressive work
from him in the future! |
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